Korean comic books (“Manhwa” as opposed to the Japanese “Manga”) have increased their sophistication with incredible speed over the last five years. I do not read comic books as a rule, and my exposure is limited to the educational manhwa my children read at home. But when I saw an article about the new manhwa series “Misaeng” (未生 “The one who has not lived yet”) I had to have a copy. It is a remarkable work of art that deserves to be widely read and analyzed.
Misaeng, the work of Yoon Taeho (윤태호), describes the claustrophobic interpersonal relations between employees of Korean corporations, focusing on the banality of everyday life and the little struggles and tiny victories of survival in a corporate culture. The analogy that dominates the book is between life in modern society and the game of baduk or “go” as it is known in Japanese.







